The Moglass, Vanessa Arn, Tom Carter. Snake-tongued Swallow-tailed...

Double doubling... in the end, it may mean anything – for example, a 4D system of coordinates, or an open corner, so open that is even locks in a circle... In the case of Moglass, it means a thing seemingly complicated in its simplicity: the ability to contain – but not to hold. Imagine a person who stands under open-skies – say, in a rain – raises him hands to the height of his shoulders and opens his palms upwards. At this instant, his palms contain the rain and the sky, the space – visible and invisible. He simultaneously accepts and – gives. At this instant one drop is enough to contain – the whole. These open palms support the sky... Well, and a clenched fist – contains nothing but emptiness... The Moglass creates a dimension so soft and transparent that sounds pierce, stitch it easily – but the echo, traces, reflections stay, and they melt, dissolve, change constantly. And due to active use of live instruments, this music is called post-rock. And due to how exactly and in what combinations they are used – it is named ambient and psycho-folk. It is a live, warm matter, and it bears a long, tangible, contemplative feeling – of coziness, growth, flow...