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When they name Ivan Franko the Stonemason, I think they mean not only his famous verse. Since a stonemason is not just a person who does the rough work. It is the person who out of hard soil and inspiration creates usual houses and palaces for the human body. Franko created from the firm word and the fiery character habitation for the human spirit. And he built not one house but whole cities. There is everything in them, everybody has found their place there. The sacred and the dirty, both money and love, and bright memory, and pure knowledge – of the truth. Personally I directly associate the figure of Franko with one simple definition. The uncompromising fighter for the truth. And it means not to condemn and not to praise to the skies. It means to have the heart so large to contain in it people as they are. To contain – to understand – to accept – to forgive. In this flame of mercy, there are no those right and wrong. Everyone who has managed to pass it – all of them are right, though everyone has his/her own truth. And Franko, as the real master, managed to reflect the great variety of those human truths. Actor's skills are also present here – performed by Borys Loboda, both "Zahar Berkut", and "The Stolen Happiness" sound just wonderful. Thus, listen... Important notice! Record is made in mp3 format. All files names are in Ukrainian. Disclamer: All software proposed AS IS. We do not guarantee that it will be working on your PC. We have tested every CD on our PC and it works fine.
Publisher: Ukrainian Audiobook
Year: 2006
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Fragments of the compositions marked with  mark are available for listening. How to listen?
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See also:
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This book is the literary debut of the known Ukrainian singer Andriy Kuzmenko (Kuzma), the leader of the group Skryabin. Two stories are included into the collection. The first one – "Me, "Pobeda" and Berlin" – is full of bright sense of humor, merry moods and, probably, will make even very serious readers laugh. The second story – "City Where Money Does Not Circulate" – is of quite a different genre.
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Todos’ Os’machka’s prose is one of the most remarkable mirrors that reflected the light and the darkness of the Soviet epoch. He is also the author of impressive chronicles of criminal massacre of Ukrainian people. A fairy and lyrical story "First bride’s man", that goes in tune with Sartr’s "The Nausea" and "The Stranger" of Camus, is also of his authorship.
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The powerful, common to the whole mankind content of Skovoroda's works fills in out contemporaneity as well. The integrity of his figure, the powerful intellect, independent spirit, inseparable words and actions, understanding of a human as a parts of nature attract new young generations of seekers for truth, defenders of human rights and freedoms to him...
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The best-known novel by the author. It was this novel, written by the author at the age of 16, that acquired surprisingly wide publicity among youth and has already been translated into several European languages.
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He doesn’t create anything odd, but he always creates something special. He is exceptional not because he tries to be so. Perhaps this is because he’s just not afraid to be himself and he really can do that. Probably for that reason clear, simple and real wisdom lives in his prose.
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Bright – yes. Thoughtful – yes. Frank, deep, unexpected – yes. And a dozen more of various "yes"'s. Sometimes everything is so clear and easy – as it should be – it even gives creeps. True.
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The starting point is attention, the only condition – to see with one's heart. You come into this water, as in birth, and every separate story is another river. But all rivers, as known, carry their waters to the ocean. And whichever Prohasko's story you might take – all the same you get into this bowl...
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Igor
, Õàðê³â
27-02-2007 22:06 |
ñåðåä ³íøèõ êíèã ïðîñòî âðàçèëà!!!
Îñîáëèâî "Çàõàð Áåðêóò". Êíèãà, ÿêà áóäå ñó÷àñíîþ ùå ñò³ëüêè, ñê³ëüêè íå áóäå ïîáóäîâàíå ãðîìàäñüêå ñóñï³ëüñòâî... Çíà÷èòü, äîâãî ùå...
À ùî ñòîñóºòüñÿ ³íòåðåñó ³ îñîáëèâî âèêîíóâà÷à, ÷åêàâ êîæíîãî íàñòóïíîãî ìîìåíòó, ùîá ïðîäîâæèòè "÷èòàííÿ".
Íàäçâè÷àéíî ñèëüíèé ³ âðàæàþ÷èé òâ³ð!
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